Showing posts with label action. Show all posts
Showing posts with label action. Show all posts

Saturday, 1 December 2012

Lazy Post

Wow it's taken me the day that I'm leaving to go overseas to post this lol. Really quick post cos I'm lazy and I can't be be bothered writing more than a few lines of these, partly cos I can't remember what I thought and partly so I can stop piling up my backlog of reviews.

Anyway using the ever efficient tool....bullet points!

  • Watched The Matrix. Yes in all my 20 years I've never watched this sci-fi classic, so I thought it was time.

    Lesson learned: always carry spoon in case of doubts about reality
    It was super fun to spot all the landmarks in Sydney, where it was filmed. I kind of squealed when I saw a Westpac (bank represent!) building hahaha... Awesome idea, excellent execution, cool cyber-punk aesthetic, but a little cheesy at times. Ending felt a bit forced and rushed. 4/5 STARS.
  • Went and saw the highly anticipated Looper at the cinema.

    Man couldn't stop marvelling at the prosthetics used on JGL, wonder if it was weird for Bruce Willis
    I love a well done time travel movie, and love dystopian depictions too! So this was an (almost) A+ in my book. Great thriller atmosphere (FML totally thought I was going to have nightmares at one part). Like The Matrix, let down by the slightly hurried ending. 4/5 STARS.
  • I've only ever seen one short film of Hong Kong director Wong Kar Wai, whose luscious cinematography I wanted to experience in a feature length format, so I decided to go with one of his most famous works, In the Mood for Love.

    Um.....guuuuhhhhh, just GUUHHHHH at ALL the imagery. COUPLED with the MUSIC. It's one of those movies that every screen grab can become a trending Tumblr post. Acting was nuanced but very on point by both the gorgeous Maggie Cheung and Tony Leung. I wish I looked good in a cheongsam.... 4.5/5 STARS.
  • Had a good old chill sesh with one of me and my friends' guilty comedy favourites: White Chicks.

    Looks so wrong, yet so right
    I can never understand its low rating on IMDB, but I can't really describe why it makes me laugh without fail every time either. Maybe it's the quotability, almost on par with Mean Girls even (I just checked and Mean Girls is a 6.9 on IMDB!?!?). Maybe I'm just too low-brow. 4.5/5 STARS. (please don't judge me)
  • Decided to further foray into the magical land of Ghibli and gave one of the older ones, NausicaƤ of the Valley of the Wind, a go.

    I had already experienced Miyazaki's environmental themes in Princess Mononoke but this was something slightly different. Maybe it's the sci-fi and dystopian elements again that drew me in, reminded me a bit of Akira. NausicaƤ herself was a little lack lustre but other characters made up for it. Dem bugs though....*shudder* 4/5 STARS.
  • So the trailer for Now You See Me came out and it looks AWESOME:

  • Can't help thinking the genre 'Black Fu' doesn't sit right with me, with the release of The Man with the Iron Fists

    Sunday, 12 August 2012

    REVIEWS: Millennium Actress (2001), The Dark Knight Rises (2012) & The Godfather: Part II (1974)

    My excuse for not posting for more than a month is that I've been obsessed with watching the Olympics. Well I guess that's not really an excuse since it's only been on for over a fortnight.... Anyway I shall not ramble on too much and quickly cruise through the three movies I've consumed in the last few weeks.

    The first is Millennium Actress, a Japanese animated film that I watched because I love the director Satoshi Kon's more famous feature Paprika. The plot is a lot more demure and less ambitious, recounting the lovelorn life story of a now reclusive actress.

    Sadness weaves in and out of the roles the actress plays and her real life

    I say demure, but being a Satoshi Kon film it still retains all the whimsical surrealist imagery that I actually sometimes find more refreshing than Studio Ghibli's features *shock horror*. I feel that this film tries to say a lot about the main character's tragic romantic quest, but is buried under too much symbolism and left me a little befuddled, even more than usual with Japanese cinema. I guess I was hoping for more of Paprika's smorgasbord of visuals.

    TL;DR VERDICT: 3.5/5 stars, tugs on my heartstrings but left wanting something more

    Second off the list is none other than The Dark Knight Rises. Is there really anything to say? Everyone who hasn't been living under a rock has seen it already, and even those who haven't have already formed their own opinion of it.


    Christopher Nolan reunites his Inception buddies to party down in Gotham City and does a pretty good job of it. Ed Hardy as the calculating brute Bane, Joseph Gordon-Levitt as a young police officer and Marion Cotillard as Batman's socialite girly.

    Yes we made fun of Batman's voice as usual afterwards, and even pretended to speak like a maniacal Bane as well (how inaudible was his voice?). But everything is as you imagined, being the last installment of Nolan's amazing trilogy. I was even impressed with Anne Hathaway's Catwoman, and a very clever rendition of her cat ears that made me go "Ooohhh I get it...". Only thing I could comment on was the slightly rushed ending that seemed to try and round off everything too quickly.

    TL;DR VERDICT: 4.5/5 stars, nananana nananana BATMAN! ie. it's very good, almost better than The Dark Knight

    Lastly I decided to continue on my Godfather journey and watch Part II (Roman numerals so fancy) of the trilogy. OH MY GOD, Robert De Niro, I have a whole new outlook on you. Since when did you ooze so much class and become so smooth? I know I sound like a complete film bimbo for not realising your acting potential beyond imposing dads in B grade romantic comedies.

    A behind the scenes shot but look at this suave father-son duo

    De Niro portrays young Vito from Part I as part of the parallel storylines with his son Michael's story as the new Godfather. To be honest I enjoyed Vito's rags to riches story a lot more than Michael's. It was a lot more empowering I guess, than the progressively more depressing descent of his son's.

    The juxtaposition between the two storylines just makes it even more heartbreaking as the Corleone family dynamics shift ever more towards dysfunction. I think breaking it up also made the length of the movie more bearable (although I did watch it in two sittings because my movie buddy fell asleep....). Now I just have to watch Part III for closure, and ignore the huge plot points I accidentally spoiled for myself. *sigh*

    TL;DR VERDICT: 5/5 stars, two epic mafia storylines in one movie make sitting on your butt for 3 hours worthwhile

    That's all for now, I'm very excited about a few upcoming trailers and such, will probably post on them soon!

    Sunday, 13 May 2012

    REVIEWS: The Avengers (2012) & A Beautiful Mind (2001)

    Yes I know I've only got around to a review at my fourth post. But alas, uni is a pain and I haven't got around to watching anything......until BAM - two movies in one day.

    I watched The Avengers in the cinemas, without 3D cos I'm poor it's distracting. It's been anywhere and everywhere in the cinemasphere, so I was pretty late to the party. First of all I haven't watched ANY of the previous movies related to the main superheros and their franchises, so this was a pretty new thing for me. Apart from wishing that I knew some of the back stories, director Joss Whedon did a pretty good job updating all those clueless audiences like yours truly.

    What's that up there? Oh just our box office sales kicking everyone's ass as it shoots to the sky.

    Let's see.....action? Check. Cliched catch phrases? Check. Search for the true meaning of heroism? Check. Ok so it sounds like a pretty typical superhero movie, but instead of the usual personal character development of the one or two superheroes, The Avengers wins by having an array of characters who've already settled into their heroic roles and instead plays on the development of relationships between them. As seen by recent movies like X-Men: First Class, having a league of superheroes not only ups the awesome but allows for some superpower-fueled disputes and camaraderie.

    To top it off the editing was seamless and everything was segwayed together nicely, even if a little cheesy. But hey, it is a superhero movie. Plus there was a nice smattering of humour here and there, and nothing out of character.

    Things I couldn't help noticing included the fact that Thor was predominantly still that guy from Home & Away in my head, perhaps you could work on your accent Chris Hemsworth?

    Captain America fights along Captain Straya with his tousled beach hair

    I loved the unique blend of mythological, alien high-tech and prehistoric biological aesthetics that gave us awesome alien worms (fish?) that looked like they came out of Starcraft:

    Y'know, just casually gliding through and destroying your city

    The only thing I hoped could be changed was the fact that the Black Widow (Scarlett Johansson) could have been a much more badass character. She had the perfect tough persona and killer moves but seriously, compared to people like the god of thunder she looked a little lack-luster. I mean c'mon, even Hawkeye the other under-represented Avenger at least got to use some badass exploding arrows. Maybe it's my inner feminist showing, but I guess it could be contributed to the comics being written in a more conservative time.

    Having an explosive background doesn't help the fact that she only got a plain black uniform and regular guns, *sigh*

    The good news is that apparently the Black Widow will get her own movie soon, so I guess it works out after all!

    TL;DR VERDICT: 4/5 stars, 6 Avengers in one movie means more bang for your buck

    Now onto the second movie, which I watched on telly, something I haven't done for a long time. For those who don't know, A Beautiful Mind is about the life of famous mathematician John Nash whose life spirals out of control after he accepts covert work for the Department of Defence, without giving too much away.

    Much of the movie is more a character study of Nash (played by Russell Crowe) and how his straight-forward nature means he pretty much has no friends, which plays to his strengths as he likes staying in the library alone while scribbling maths functions. I thought Crowe did a pretty good job translating his anti-social traits like a bashful chin waggle or nervous limp. He almost stepped across the line into over-acting territory but mostly had us sympathising with Nash.

    Derpy Russell does maths good, nawwww

    When Nash becomes extremely paranoid as he realises he's bitten off more than he can chew in his double life, the tone is set perfectly to become tense and doubtful as we're taken along for the ride with him. This, through Nash's POV, was a large part of what makes A Beautiful Mind worthwhile. Good musical scores also kept the suspense going in these scenes, while contrasting with the blossoming romance in other parts.

    Jennifer Connelly won an Oscar as Mrs Nash but although her character was a good foil to bounce off all of Nash's problems and insecurities, I don't think it was hard to portray a woman pained and trapped by love. And I guess she WAS gorgeous:

    Not so antisocial after all

    What struck a chord with me most though, was the fact that a lot of Nash's paranoia and ambition-driven big-headedness came from his fear of not being recognised for his work, and his UNIQUE work at that. The search for that one thing that would make him and only him stand out from the rest is something that I have felt many times. *sigh*.....sorry for the personal tangent but I got a little emotional whenever this was brought up in the movie.

    TL;DR VERDICT: 4/5 stars, the twists + emotional baggage + a love story to boot = equation for success (Yes I did just make a maths equation cos it was a maths movie..............what of it).

    This blog post has dragged on way too long already but since we're already here here's a lovely Mother's Day message from Hugh Jackman on the set of Les Miserables, happy Mother's Day everyone =).



    Tuesday, 8 May 2012

    Reboots and Reinventions

    Hollywood seems to be getting lazier and lazier lately. All you hear are reboots, re-adaptations and prequels after sequels after spin-offs after.......you get the idea. Case in point: is it just me or has the land of reboots outdone themselves with only 5 years spanned between Andrew Garfield in spandex and Tobey Maguire in spandex? Guys, srsly. SRSLY, YOU GUISE.

    I see no difference besides eye candy for a new generation

    That's not so bad when the formula works, they're popular and keep everyone happy dappy, but what irks me a little more than usual is when Hollywood decides to re-adapt popular foreign films. Why?

    Is it because of the much more talented Hollywood actors? Um, NO.

    Is it so we can better appreciate the original movie and pay homage to it? Hardly, since the most of the originals are forgotten.

    Is it so we can introduce new exciting elements into western cinema?  NONONONONONONONONO. I'm sorry Keanu Reeves, as much as your Sad Keanu memes are endearing to me, I will forever be disappointed that you got stuck as the American Kaneda, who should not only remain Japanese but AS AN ANIMATED ONE AT THAT.

    But why ELSE, you ask?

    Is it so that western audiences can understand the language? Unfortunately, YES. 'Tis true, we are apparently too lazy to read subtitles. I mean c'mon, foreign audiences read subtitles all the time, Y U NO LEARN? This is also why I have a problem with dubbed animes, which completely devolved the sound aspect of the productions. Plus c'mon subtitles give us gems like this:



    Is it so we can see the same story played out by familiar faces? Another YES. Although I am too chicken to ever watch Old Boy, I have read the synopsis and the general consensus is that it's brilliant. But nooooo, apparently we can't form a deep emotional bond with incredibly creepy and disturbing characters unless they're WHITE. I mean what's the point of cinema if you're going to concentrate on the ACTOR instead of the CHARACTER?

    MORAL OF THE STORY: the majority of foreign adaptations wipe any trace of the foreign culture away (one of the key attractions in the first place) and repackage it into your standard Hollywood production. Very rarely do they work. I look forward to the day when foreign cinema can have a wider distribution and subtitles will only be a minor setback.

    Going on to the less ranty part of this post, many young stars are starting to break out of their teen idol typecast mold. What with Daniel Radcliffe's Woman in Black out, fellow Harry Potter star Robert Pattinson's new dystopian action/drama Cosmopolis has also released a full trailer:


    RobPattz plays a young billionaire in a limo going across Manhattan for a haircut. Sounds meh but there's a lot more sex, violence and philosophical musing than expected in usual limo rides, especially considering it comes from the director of The Fly. Curious to see what viewers will think when it first shows at Cannes this year.

    Pattz has been busy nabbing roles as troubled youths as news has it that he's been cast in David Michod's new film The Rover, another gritty crime drama similar to his awesome Animal Kingdom (YAY AUSSIE FILMS!!).

    Tuesday, 1 May 2012

    Blockbusted

    Two major action packed movies have released new trailers and the first is Christopher Nolan's third installment in his Batman adaptations. The Dark Knight Rises releases its third trailer:


    This immediately reminded me of the trailer of Nolan's other epic Inception. Besides the presence of Tom Hardy and Joseph Gordon-Levitt, both are tied together with deceptively quiet background music that blows up to a crescendo, successfully pulling audiences in. You know, that famous BUAAAAAMMMMM that is now synonymous with Inception. Other action movie trailer editors should take note.

    I thoroughly enjoyed the last installment of the franchise, The Dark Knight, and look forward to more of the careful controlled suspense Nolan is famous for. And even though Christian Bale was majorly upstaged by Heath Ledger last time, there will be a new baddie (it's always more fun to play the evil guy) Bane (Tom Hardy) to look forward to. And even though we can't actually see much of his mug behind that Saw-like contraption (shoosh, I'm not well read in comic books), there is lots to look forward to. Anne Hathaway proves that she might even be able to pull off the Catwoman role. I mean, who doesn't still see her as Mia Theamapoulos (sp?).

    I am much much more excited about the next movie in question. If you know me in person and I haven't ranted to you yet about Prometheus, then I will probably do so the next time I see you. Check out the new international launch trailer (pish posh it's just another trailer) below:


    Why am I excited? I think the first few trailers and teasers have captured my heart already, pretty much. Ridley Scott, god of sci-fi, returns with an epic prequel to Alien with visuals and audios to match. Ok I'll admit, I haven't watched Alien and the only Scott movie that I've watched, Blade Runner, was for school and a bit of a let down after I pumped up my expectations. But I will admit that it was probably groundbreaking at the time, and as a recently new sci-fi fan, Prometheus looks amazeballs.

    There's not much to say for the story as it is all in the trailer. This can also be a bad thing as many YouTube comments have pointed out that it gives away too much............I guess. I don't really mind as these movies are pretty predictable anyway, but at the same time entertaining because of that. Plus I've been actively trying to pry my eyes away from the copious amounts of Prometheus featurettes, viral ad campaigns, etc to stop hyping myself up.

    Can't WAIT to see this on the big screen, ahhhhhhh.